My last blog was about how I had rekindled an interest in using vintage SLR camera lenses on a modern mirrorless camera body, and how the more deliberate process of manual focus and controlling an aperture ring on a lens made me feel much more a part of the photographic process.
Up to now, I had used my vintage lenses for more creative compositions, the wide open aperture of my Super Takumar 50mm f1.4 allows for some lovely bokeh for close ups of flora and such but it occurred to me that I had never used one of my older lenses for an entire shoot.
As I am always keen to give myself new photography orientated projects, I decided that for my next outing, I would not pack my usual 20-60mm lens, instead picking out a Carl Zeiss Jena Tessar lens 50mm F2.8.
With a trip to the picturesque town of Dartmouth on the cards, I was looking forward to the first of these one lens only forays.
As I left Exeter, the morning sky was just a miserable mass of grey, in contrast, Dartmouth was bathed in a warm late June sun, with plenty of holiday makers determined to make the most of the day.
One of the things I enjoy most about photography are the spontaneous conversations that may be had with fellow photo hobbyists, I had a lovely chat with one gentleman who recognised the lens and said he had used one in the late sixties and early seventies on his Praktika film camera. He was curious about using older lenses on modern cameras, he went away with the idea of rediscovering his older lenses that had not been used for some years, he was even more pleased when I told him that his current Sony camera was perfect for his needs, he just needed the adaptor. (His wife was even more pleased when she knew the adaptor would not cost that much!)
I was aware of how much more deliberate I was in picking my shots today, I was spending more time looking for something a little different, part of this, could be my familiarity with Dartmouth, I spent a very happy 5 or six years in and around the area, while I was working as a chef in the late 1980’s and early 90’s, it will always remain a haven of happy memories.
With just a 2 hour parking limit, there was no time to walk as far as Dartmouth Castle, that can be another trip for another day, back at the car a brief look at the images on my camera screen looked pleasing, this lens renders colours in a way I like, perhaps a little over saturated but not overly so.
On seeing my efforts on my computer screen, I was more than happy with the images from this lens, my only regret being that I had not used it that much before, there were a few shots where I had missed focus but the sharpness of this little gem even wide open was surprising.
There is no doubt that I have become used to the clinical sharpness of modern day lenses, so today’s outing has given me a eureka moment, realising that not everyone who sees an image cares about the sharpness,or what camera was used, more that for them it evokes a memory, or it reminds them of somewhere similar that they have visited, regardless, for someone else to take pleasure in a photo means that my job is done!
As I browse my vintage lens collection, I have another 3 50mm lenses to choose from, I am already looking forward to the next outing.
As digital photography technology advances ever forward, camera companies are cramming more and more megapixels on to sensors, adding ever more features to make the photographic process more instantaneous. Modern camera lenses are now clinically sharp, even the humble ‘kit lens’ offered with a new camera is no longer the cheap and cheerful offering it once was.
With a long time passion for photography, I have embraced all the above with vigour but I feel that sometimes I am forgetting one of the reasons that I got into photography in the first instance, the whole process of manual focusing a lens, learning how to read the light and expose correctly (more often incorrectly in my early days). For all my mistakes, they were all part of the learning curve, just one of the many steps in my photographic journey.
Every now and again, I retrace these steps to an extent, by attaching an old manual lens to my mirrorless camera, I went through a stage of finding some cheap lenses through online auction sites, a few of which have become firm favourites and will not be parted with, others were not so good and found their way into charity shops.
Today was one of those days where I took out my Helios 44-2 58mm lens and an industar 50mm 3.5 – 4.5, both od Russian origin, both mass produced so incredibly plentiful and cheap.
The Helios wide open at F2 produces a swirly bokeh, ideal for shots in woodland where the background can be isolated from the subject, the Industar has a more muted colour palette which I like for street photography.
While a manual focusing lens may not be ideal for street photography, there is pleasure to be had in finding a spot and pre focusing, waiting for someone to walk into frame, with a small city such as Exeter, it is just a matter of time before someone obliges.
Maybe I need to spend more time with these legacy lenses, I felt more immersed in the process, rather than just being in charge of pressing a button!
As life tiptoes cautiously back to a semblance of normality, today is a day I have been looking forward to for a long time, a visit to one of Devon’s steam railways at Buckfastleigh.
For as long as I have carried a camera, this has been a favourite destination and after an eighteen month absence, it is fair to say I am looking forward to it!
This small station always extends a warm welcome to its visitors, it is like being welcomed back into a long lost family, regardless of whether this is your first or umpteenth visit.
Regardless of how many times I have been to any steam railway station, the sight and sound of the steam locomotive arriving at the station never fails to bring out the excitement of the child within, grown adults with cameras around necks, almost running to get a good spot to take a picture.
The platform of course is the main stage but I take as much pleasure in exploring the sidings and workshop areas, watching the army of restoration experts and engineers bringing new life into forgotten heritage.
I am mainly using my Fuji X100V for this trip today, I have been experimenting with some film simulations recipes I am keen to try, two work really well while two more need a little tweaking but this for me is the joy of photography, more so that I am able to try in camera, rather than at a computer screen later.
With the second of my post lockdown trips ticked off the list, all that remains for me to do is post my pick of yesterday’s outing.