The fourth day of my fifty days at 50mm takes me around two of my favourite places in the South Hams, Torcross and Dartmouth.
Boasting one of south west Devon’s straightest stretch of roads, Torcross has a rare geographical phenomenon, in that on one side of the road is a shingle beach, the other has a freshwater lagoon or ‘ley’.
Blessed with a rare morning of blue skies and sunshine, the beach already has a good few people enjoying the cool sea air, while others sit at the outdoor tables of the local pub, drinking hot beverages or contemplating an early lunch.
Since beginning my latest photography project, my camera bag is minimalist, a camera body with the faithful fifty attached and a spare battery, on sunny days such as today, I do not bother even taking the bag, a lens cloth and spare battery in my coat pocket and the camera in hand or around my neck. On rare occasions, I may bring a tripod and a selection of filters but I am enjoying today’s self set challenge of minimal gear.
A regular question I have been asked is ‘Do you not find 50mm restricting?’ Restricting no, I find it makes me ask questions of my ability to be creative, to shoot with what I have.
I use the tools available to me in camera and in post processing, a simple work around for the tighter focal length is to take multiple shots of a scene and stitch them together in post to create a panorama, this works especially well for landscape photography.
With the nifty fifty produces sharp images stopped down, I like separation of subject and background at the wider apertures, my obsession with clinical sharpness of lenses has lessened over the last couple of years, softness in an image often adds to the story of a photograph.
The pigeon image was my ‘shot of the day’ in Dartmouth, as I sat on a bench along the embankment eating a well earned pasty, the optimistic pigeon became braver and edged closer in hope of a dropped pastry crumb or two, he was virtually stood on my boots when I took this shot, camera in one hand and pasty in the other.
With my appetite sated, I had around 40 minutes before the allotted parking time was up, time enough to capture some good light before the grey clouds rolled in for their late shift.
After yesterday’s washout, I am determined this Sunday morning to get on with day three of my 50mm challenge, so after devouring a rather tasty bacon and egg sandwich and finishing my second mug of tea, I will head towards the riverside to see how much the water levels have risen after the deluge.
It is just after eight thirty, as I make my way through the city centre, the streets are Sunday morning quiet, with just the council sweeping teams making their rounds and the first buses waiting at empty stops for their first passengers of the day.
My first image of the day is of Miller’s crossing bridge, a black and white image to emphasize the fast torrent of water flowing by, the incredible roar of water even drowns out the noise of passing traffic on the nearby road.
I walk over the bridge and stop to take a few more photos and stand for a few minutes to watch this mesmerizing maelstrom as it carries several large tree branches like matchsticks in its watery grasp.
The normal footpath following the river is all but submerged, cyclists and walkers alike will have to follow the higher footpath for now, which becomes busier by the minute as others look to get out for some fresh air.
It has become a habit for me to pick out my favourite shot of the day, today’s image is a monochrome of gull’s perching on Cricklepit bridge, moody skies above add some drama to the scene.
It has not been the longest of walks today, but it is another couple of hours testing my creativity with a 50mm lens, I just hope that my next outing offers brighter skies and perhaps even a little sunshine.
As the second weekend of the new year approaches, I tentatively make plans for my second outing of 50mm, the prospects are not looking good as each of my weather apps show yet more rain for most of the weekend.
I do however, have an ace up my sleeve, a bonus Friday off, where the weekend rain is due later in the morning, so I head into town to run a few errands but will make some time to get a few shots around the city before the deluge and my date with a necessary booster jab.
My usual habit, would be to head towards the river and quayside but instead I keep myself around the city centre and local parks, seeing what subject matter may present itself on this dull grey morning.
Given that I was not expecting to get out for any photography this weekend, I feel that the shots I have taken are all a bonus, unless of course Sunday offers me a chance to get out for day 3 of fifty mm.
If 2021 saw me rekindle my enjoyment of the 50mm focal length, then 2022 is the year in which I begin a new project featuring just this lens over the next 50 outings.
It’s new year’s day, a trip to Venford reservoir, a place I have visited on many occasions, my camera bag is laden with the now familar 5D mkII with the 50mm 1.8 now seemingly ‘glued’ to the mount, there were other lenses in the bag but decided that new years day would be the perfect time to begin this new project, so took just this setup without the weight of the camera bag.
The car park has just a couple of other cars on my arrival, the world is enjoying a collective lie in after the new year celebrations, I will be a good way around the route before too many other people have arrived looking to blow the festive fug away.
The colours of autumn are nothing more than a distant memory, the crisp ochres and bronze coloured bracken replaced by damp dark browns, the trees once laden in their autumnal finery now baring their skeletal frames to the elements.
One advantage of the 50mm lens is its ability in the low light of the woodland, only occasional glimpses of light find their way through the melancholy grey skies above, so I am keen to take advantage of these brief windows of opportunity.
There are those areas that defy winter’s decree of desaturation, like diamonds in the rough, leaves cling to their branches like limpets to a rock, for these, I like to use the lens wide open, blurring the background for some interesting bokeh effects.
I find it interesting that with the reservoir just yards from my feet, I take only a few shots of this expanse of water, instead, I am enjoying finding the more intimate details of what lies within the footpath, leaves in puddles or hidden mini waterfalls in less accessible areas of the path.
All that remains from this first day of 50mm is to share the images of today’s amble, I am very much looking forward to day #2