What next?

After eight months of shooting with a 50mm lens, this was the first weekend where I could select whatever gear I wanted from my photographic armoury, whatever I did select, would be in keeping with my other theme of 2022, shooting with older gear.

Alongside my Canon 5d Mk II, I also have a Canon 50d and a charity shop bargain in a Panasonoc LX3 digital compact camera.

It was the LX3 that found its way into my bag this Saturday and Sunday and I could not believe how much I enjoyed using this great little camera.

Now I have a confession to make, in that my previous obsession with uber sharp images and keeping up with the latest tech within my budget had made me a ‘sensor snob’, I followed the well trodden path to the holy grail of photography ‘full frame’ having fallen for all those articles online and watching those you tubers who would only review the latest offerings with the most expensive lenses.

My eureka moment, or epiphany was watching my all time favourite landscape photographer, Charlie Waite on a shoot with a digital compact camera, the Lumix LX5, the younger sibling to my LX3, if this type of camera is good enough for a photographer of Charlie Waite’s standing, it is more than good enough for me!

With such a small camera in hand, the freedom from a bulky DSLR is evident and with a decent macro mode, I was in my element.

The true revelation of this camera was seeing the images on a bigger screen, the lens on the LX3 is superb, the in camera dynamic black and white is very good!

Naturally noise is an issue with these tiny sensors, evident from iso 800, yet the grain is not unpleasant, for me, it adds more character to the black and white Jpeg’s, and dare I mention the ‘filmic’ look with the older CCD sensor.

While I am no longer in the market for the latest and best, I will be on the look out for more of these older cameras for sure.

50 days of 50mm #40

As I edge ever closer to completion of my current project, there is no doubt that I will contue to take just the 50mm lens on the regular outings, to keep the creativity it encourages honed.

However, the project has not just been about the lens, it has also been about my desire to quit from the upgrade race and enjoy camera gear that I would have liked a decade ago but simply could not justify the expense.

Just a few months ago, I had never entertained the idea of ever using a DSLR again, mirrorless cameras were king and of course they may well remain so for some time to come but I am one of those people that like using old gear, enter my Canon 5d MKII.

This camera body , along with the Canon 50mm F1.8 and my vintage 50mm pentacon 1.8 have been on some fabulous outings over the last few months, proving that I do not need to keep make huge dents in my finances to enjoy my trips.

So on day 40, it was a trip locally to Dawlish Warren, for some sea air and some shutter therapy, where my walk would start well before nine and finish before the Sunday day trippers arrived to enjoy their time at the beach.

Sunday was a day of threatening rain clouds alternating with sunny spells, perfect conditions for some good light with mood in the sky above.

With the tide just about on the ebb, my path was on the upper part of the beach where the softer sand slows the pace a little, giving the calf muscles a good work out over the course of the route.

I really enjoy these mornings on the beach, especially watching the ebbing tide reveal pristine sand as it recedes, it’s like natures etch a sketch, wiping the evidence of seabird or human footprints from its memory.

Anyway, enough words, here are the images from a stroll along the shore.



50 days of 50mm #31

For day 31 I am back in my former home town of Salcombe, where I once again make an early morning start in the hope of watching another sunrise.

The chances of capturing the vibrant colours of late are lessened by a thick layer of cloud but the light is favourable and there is little or no breeze.

The stillness of the morning is emphasized more by the silence of a town devoid of people and traffic, in just a couple of hours, it will be a typical bustling seaside town waiting to welcome the weekend’s pleasure seeking tourists.

For now, I enjoy the solitude and serenity of the scenes in front of me, capturing the shimmering reflections and subdued light of this Saturday morning.

Using the native Canon 50mm for the landscape shots, I decide to shoot with my Pentacon 50mm lens, capturing a few shots on the walk back, with an emphasis on close ups of a patch of daisies that appealed to the eye.

One of things I have come to appreciate with shooting at 50mm, is how an apparently mundane subject can be seen as a potential image, especially through the glass of an older lens, where its soft corners and vignetting can be used to my advantage for that more organic and imperfect look.






50 days of 50mm #30

My last few Saturdays have been early starts, as I have been keen to catch those late spring sunrises around the local coastline of Dawlish and Teignmouth respectively.

Day 30 starts with grey, overcast skies with brighter sunny spells later in the day, so decide that a trip to a local woodland just a few miles away may be an idea, after all, I have not visited this one for a couple of years.

Ashclyst forest is owned and maintained by the National trust, just on the outskirts of the village of Broadclyst in East Devon and a stones throw away from Killerton House.

As with any location on one’s doorstep, I Have not visited Ashclyst as many times as perhaps I should but I am certainly looking forward to exploring the myriad of trails and footpaths that make any woodland and forest so enjoyable.

Even if I were not involved in my current 50mm project, a 50mm lens would be my choice for today’s venue, the wider aperture of a 50mm prime lens is perfect for those out of focus backgrounds in woodland, as well as plenty of scope for those close up shots that have become a part of my photographic repertoire over the years.

There is something very calming about ambling around these forest trails, the pure joy of hearing the birds singing, their melodies undiluted from traffic noise and other man made interruptions.

I take a little time to experiment with some ‘intentional camera movement’ (ICM) shots, as I stand in a clearing, facing a copse of fir trees, a three stop ND filter attached to my lens gives me an exposure time of around two seconds, enough to create some abstract images of the scene before me.

After a number of attempts., I have a couple that I am happy with, it is this type of experimenting that keeps me wanting to get out and trying new (to me) techniques.






With patches of concealed bluebells just waiting to be found, the paths are a riot of late spring colour, with buttercups and celandine offering a vivid contrast to the campion that sways gently in the pleasant May breeze.

Dandelions lie in various states of undress, some with their full Afro of pappus, others semi bald, their party crowns long since stolen away by the breeze.

Even among this spring time palette, traces of the ochres and browns of winter can be found, oases of fallen ferns and fir cones, lying forgotten as last years Christmas toys, yet still beautiful, even in decay.



50 days of 50mm #6

Day five of my 50mm project saw me taking photos ‘on my doorstep’, day six could not be more in contrast, in what would be a ten mile hike around the Okehampton side of Dartmoor.

The north of Dartmoor is an area I have barely scratched the surface of, with autumnal trips to Black a tor copse or Meldon reservoir, today I have my own personal guide, a good friend and fellow photographer for whom Dartmoor is essentially his back garden.

(For those that enjoy seeing other photographer’s work, check out @GlavindStrachan on twitter, Paul likes to use and modify old vintage lenses, his work is unique and he captures the essence of Dartmoor beautifully )

Today is my first trip on the recently reopened Exeter to Okehampton railway route,a journey of about 40 minutes with just a single stop at Crediton, passing some lovely scenes of the rolling Devon countryside, where the route allows.

Close to the local army camp, today’s walk is often not accessible due to military training, however this week, no exercises will take place, we are free to roam.

As with most of Dartmoor, the landscape is strewn with granite as if cast from the hand of giants looking for amusement, climbing to the summit of the first steep hill of the day, threading through the rugged grass and rocky landscape.

Despite the greyness of the cloud above, the views are nonetheless breathtaking, this vast landscape can take your breath away at every turn, whatever the weather.

Wandering across the summit, a trio of resident sheep turn casually to peer at the intruder in their midst, as I walk away, they continue with whatever ovine business I had disturbed.

It is at about the half way mark that our patience is rewarded as the first rays of light escape their grey cocoon, casting light and warmth on the landscape, while moody clouds offer a beautiful contrast to the scene.

I have taken over 150 images on today’s hike, the images below are a small selection of those that will follow in subsequent blog entries.

50 days of 50mm #5

Today will be the fifth day of my 50mm challenge, a rare Tuesday off, as I use the remnants of last year’s holiday up, hopefully I should get a couple more days of photography in this week but today will be an amble around one of the local parks, with a view to using my lens wide open for some still life / abstract shots.

It is another day of grey washed skies, a typical insipid January morning, if today’s shade were to be described on a paint swatch, it would be called ‘extra meh’, however, I am determined to get some images.

On a brighter day, the park would be thriving with students and office workers, taking a break from stuffy offices and lecture rooms, today I am one of just three others enjoying the space that is just a stones throw from the main city centre.

The vibrant flower beds and hedges of summer are but a memory, leaving only a spectrum of winter browns, yet looking closely there is beauty even in decay, skeletal remains of hydrangea, a reminder of the fragility of nature.

Look beyond the decay and there are signs of spring, as optimistic daffodil leaves begin to show and new buds with bright green leaves embark upon the next cycle of life.



There may not have been any epic vistas or sweeping landscapes today, yet I have enjoyed this outing as much as any Dartmoor hike, it is the being around nature that gives me such pleasure.

50 days at 50mm – #1

If 2021 saw me rekindle my enjoyment of the 50mm focal length, then 2022 is the year in which I begin a new project featuring just this lens over the next 50 outings.

It’s new year’s day, a trip to Venford reservoir, a place I have visited on many occasions, my camera bag is laden with the now familar 5D mkII with the 50mm 1.8 now seemingly ‘glued’ to the mount, there were other lenses in the bag but decided that new years day would be the perfect time to begin this new project, so took just this setup without the weight of the camera bag.

The car park has just a couple of other cars on my arrival, the world is enjoying a collective lie in after the new year celebrations, I will be a good way around the route before too many other people have arrived looking to blow the festive fug away.

The colours of autumn are nothing more than a distant memory, the crisp ochres and bronze coloured bracken replaced by damp dark browns, the trees once laden in their autumnal finery now baring their skeletal frames to the elements.

One advantage of the 50mm lens is its ability in the low light of the woodland, only occasional glimpses of light find their way through the melancholy grey skies above, so I am keen to take advantage of these brief windows of opportunity.

There are those areas that defy winter’s decree of desaturation, like diamonds in the rough, leaves cling to their branches like limpets to a rock, for these, I like to use the lens wide open, blurring the background for some interesting bokeh effects.

I find it interesting that with the reservoir just yards from my feet, I take only a few shots of this expanse of water, instead, I am enjoying finding the more intimate details of what lies within the footpath, leaves in puddles or hidden mini waterfalls in less accessible areas of the path.

All that remains from this first day of 50mm is to share the images of today’s amble, I am very much looking forward to day #2



Memories of 2021 and what next?

As 2021 makes its way out of the door to make room for 2022, the first blog of the new year is an easy one, a bit like an established band making a ‘greatest hits’ album, it will be a brief review of my last year in photography and my aspirations for the year ahead.

Picking a selection of my favourite photographs was not easy, yet most of them have come from the final quarter of this year, where I have thoroughly enjoyed capturing the essence of autumn in local woodlands and of course on my beloved Dartmoor.

In terms of gear, I have given up on the notion of feeling the need to buy the most up to date equipment, my current gear consists of a Canon 5d mkII and Canon 7d mk1, with both of these photographic veterans, I am enjoying my days out as much as ever.

In terms of projects for the year ahead, the ‘older camera’ project continues but I have ideas for something different for 2022.

It was a no brainer for me to purchase a ‘nifty fifty’ in the form of Canon’s 50mm F1.8, the more I use this lens, the more I am enjoying it, so I will be starting the ‘Fifty days of fifty mm’ in the coming days, fifty outings using just this one lens, of course the blog will help document the progress of this project.

Are you starting a new photo project this year? if so, I would be happy to follow your progress as it unfolds, knowing that others are interested in such creative ideas are one one of the drivers that sees it through to completion, encouragement is contagious!

I would like to take this opportunity to thank all of those people who have followed and commented on my blog over the last year, your kind words and encouragement are very much appreciated and help sow the seeds of creativity in both word and picture format.

Just one lens

One of the ways that I try to remain creative with my photography, is to set myself personal challenges while I am on a photo walk, it could be that I shoot only in the square format, using the in camera 1:1 aspect ratio option, perhaps when I am in town running a few errands, I may set myself a time limit to find a few images but most frequently, I like to shoot with just one focal length.

After using the Fuji X100 series for a good few years, I am more than familiar with the 35mm focal length, so much so, that I would now not see this as a challenge, especially since a long term project from a couple of years back, was to use just this one camera for a whole year.

A more recent project to use older cameras is still very much in progress, the realization that I do not need the latest and fastest may have come a little late along my journey but I am enjoying taking this latest path with my photography, in the form of a Canon 5d Mark II.

It was as I was packing this old beast into my bag for a Saturday foray on Dartmoor, I made the decision to take just one lens, the classic ‘nifty fifty’, Canon’s 50mm F1.8

The last time that I shot this particular focal length in anger for any length of time, was when I had purchased my first film camera back in the 1980’s, a second hand Zenit camera, most likely armed with a Helios 58mm lens.

My destination is Fernworthy reservoir on Dartmoor, near the village of Chagford, a chance to capture the remains of the autumnal colours and a rather pleasant walk skirting the edge of the reservoir and surrounding woodland.

A damp start to the day sees mist and drizzle set for most of the morning but as I see this as an opportunity to capture the area at its moody and melancholy best.

The autumn colours are all but a faded memory, yet the rust browns and dark green of the local fir trees offer a muted colour palette that adds more atmosphere to the scene.

Occasional glimpses of diluted sun find their way through the murk, only for this curtain of grey to close the gap and bring a little more drizzle.

The morning’s walk may be damp but my mood is quite the opposite as I enjoy looking for my next image, it has taken little time to become accustomed to my chosen 50mm, so much so that I wonder why I have not done this more often.

The walk around the reservoir is just about 5 miles, by which time I am ready for my flask of tea and a welcome hot pasty from a convenient mobile café that had set up for the days business in the car park.

With the pasty devoured and tea drunk, it’s time to head home, good timing as the drizzle is now more constant rain, now to look forward to viewing this latest days foray.







The ‘older’ camera project

Since my very first foray into digital photography, I have bought, sold and repurchased too many cameras, caught up in the trap of feeling that the newest and latest gear will be ‘the camera’ I need to take this passion/obsession to the next level.

I have enjoyed every moment of this not inexpensive journey, but in the last year or so, I have become less interested in the latest offerings from the usual protagonists, not because I do not want them, more because I do not NEED them.

Where this sudden seed of sensibility has come from, I am unsure, I am blaming it on recently reaching my mid fifties and beginning to grow up!

Joking aside, with all that today’s camera technology offers, I have no use for video capability, I do not need 50 plus megapixels files, as I so rarely print anything, I am not a sports photographer requiring blazingly fast autofocus and huge, 500mm plus lenses, nor do I need WIFI to instantly transfer photos to a mobile phone or tablet, as I enjoy the process of looking through my day’s shoot on a bigger screen and editing in my own time.

I do not need the above but there are those that clearly DO need or want the latest and fastest, often trading their ‘out of date’ gear as a way of softening the financial blow the new system will bring.

So I see myself as something of a camera ‘womble’, making use of old tech that the future proofing folks leave behind, where I am able to acquire the cameras I coveted a decade ago but the price was out of my budget.

Enter the used Canon 5D mk 2 DSLR that has recently made its way into my camera bag, yes, its bulky, it ‘only’ has a dozen or so focus points but it is built like a tank and will serve me well for some time to come.

The lenses for these older cameras too are more affordable, good glass will always be good glass in much the same way that a good camera from a decade ago will still be a good camera.

So this weekend has been my first outing with my ‘rescue’ camera, the old dog has found a new forever home and I have a new project to get my teeth into.


The above photos were all taken with either the Canon 50mm F1.8 STM II or Canon 28-105mm lenses, needless to say that I am looking forward to my next days off….