Close to home

Walking has always been something I have enjoyed, from an early age growing up by the sea, I took great pleasure in discovering the miles of coast path around the picturesque south hams.
It has only been in the last 10 years that a camera has become a part of my continued exploration of old and new places, what better way to record the changing of the seasons in those favourite haunts?

More recently, I have endeavoured to travel further afield, with day trips to Bristol, a 3 day break in London, other venues were due to follow this year but for the Covid spanner being thrown into the works.

The moving of the goal posts has been the same for all of us, it is how we respond to new challenges that can make us more creative, or perhaps in my case, to appreciate all the more the opportunities that are on our doorstep.

For the last couple of mornings, I have taken an early walk around the River Exe, watching the day unfold but this morning I was keen to see what I could find closer to home.

With the morning spent doing the few jobs I had set out to do, it was unusual for me to set out after lunch but with ideas in mind, it was a favourite 50mm vintage lens that was put onto the camera, the pentacon 50mm 1.8, which offers a close focusing ability.

There is something about the rendering of colours from vintage lenses that I really like for this type of close up image, as well as the fact that manual focusing gives you the feeling of taking the shot, not just point and click.

While I only took a fraction of the photos that I would on a ‘normal’ photo walk, I was happy with the majority of them, just going to prove we should not ignore, or take for granted the beauty than can be found close to home.

 

Focusing on 50

I have not set myself any long term photographic projects for this year but over the last few weeks I have been giving myself a mixture of small challenges on my days out.
One of my recent ideas, was to turn off the EVF of my X100F and compose all photos in the optical viewfinder and expose with the camera’s meter reading, not allowing myself the option to view the images on the screen once I had taken them, until I got back home.
At first, it was hard to resist the temptation to ‘chimp’ but as the day went on, it became second nature.

Today, as I began to pack my camera bag, I decided on a one camera, one lens day, the camera, my Fuji XE2, the lens, a recently acquired Fuji 35mm f2 (52mm equivalent in full frame terms).
An early browse of train timetables and a decision was made to head to Plymouth for some street photography for a few hours.

Arriving in Plymouth just before 10am, the skies were a characterless grey wash of bland nothingness, at least my chosen focal length would allow for tighter crops in my subjects today.

I would normally head straight towards Plymouth Hoe, grab a few shots of the Sir Francis Drake statue and Smeaton’s tower, this morning I would head for the main shopping areas first, then work my way towards the Hoe and Barbican area.

Conscious of the fact that my last visit to Plymouth was not that long ago, I plan a route to avoid my normally well trodden path, attempting to find more varied shots, something different for the archive, while making mental notes for potential shots on brighter days in the future.

Once again, I find a level of satisfaction in using just one lens, at no point today have I wished for a wider focal length, instead, really enjoying working the image with what I have.

I break my normal routine of finding a cafe for a cup of tea and to browse my days work, I will wait until I am on the train back home, there are just a few shots I want to try and get on the way to the train station….