For last week’s three day weekend, I was fortunate enough to spend two of them out and about with the camera, with Dartmoor on Friday and a local trip to Exmouth on Sunday.
My expeditions to Dartmoor may be a more recent bookmark in my photography timeline but my love of the coast and seaside towns is etched into my DNA, growing up as I did in a small seaside town in South Devon.
Of course, in my formative years, I did not have a camera but my innate curiosity always drew me to the well weathered maritime paraphernalia of the fishing quays and the treasure trove of flotsam that would wash up on the beaches after a storm, the very things that I look to capture with my camera.
With the summer holidays now a fading memory, the local beaches will be a little quieter until half term, I have never been a ‘crowds’ person so I am happy to wait my turn to visit on my camera days out.
I have decided to travel light, it’s the x100v and the Ricoh Gr3 that have their place in my bag, however, it is the ‘V’ that will get most use today, as I have been experimenting with more ‘home brew’ recipes using the various film simulations built into Fuji cameras.
I have really enjoyed experimenting with these simulations, by doing so, I have learned the attributes of each and have started getting some pleasing JPEG’s out of camera, using Astia for my woodland walks with a warmer white balance to add vibrancy, while Classic chrome with a more muted colour setting is ideal for those moody days on the moor.
While I shoot today, I will be fine tuning a recipe based on the classic neg simulation that so many Fuji shooters love, another more muted based on the videocentric Eterna.
As the day seems to alternate between sunshine and overcast conditions, it will be a good test of how both act in different light, with an aim to using as many of the Jpeg images as possible for my final image.
Over the last few months I have been shooting this way more and more, simply because I love the colours that come from the Fuji camera and I am spending less time trying to replicate them via a computer screen and a plethora of sliders.
For the record, each of the gallery shots were from the Jpeg, with nothing more than a crop or a tweak in exposure settings.