New technology, old methods

As technology in digital cameras becomes ever more advanced, the inquisitive part of me looks forward to reading about the latest features in new cameras, yet my inner luddite  feels that the technological roundabout is going too fast and I want to get off.

Since acquiring my first digital camera, I fully appreciated the way that settings could be changed on the fly, I embraced the way that I could experiment with composition more, as I was no longer restricted to a maximum of 12, 24 or 36 exposures per roll of film, I could also see my image in an instant, rather than having to wait for my last roll  to come from the developers via the post.

Modern cameras all have state of the art video capabilities, they allow us to see how our images will look within the viewfinder, perfect for the fast paced society we live in today, where we want everything yesterday, each new camera boasts faster autofocus but it is too easy to become reliant on the tech and forget the art of photography.

My enjoyment of ‘old school’ photography has perhaps been rekindled by the ability to use manual focus vintage lenses on mirrorless cameras, a reminder of when most SLR cameras only came with a 50mm lens and we were perfectly happy.

It was with this ‘old school’ mindset that I decided to set myself a challenge on yesterday’s outing to Budleigh Salterton and Sidmouth.
Since my X100f has both an electronic and optical viewfinder, I set the camera to OVF only and switched the rear LCD screen option to viewfinder only, relying only upon the camera’s meter reading for exposure ( a bit like the original X100).

For the first few shots, I had to resist the urge to look at the rear screen but soon got into a ‘wait and see it later’ frame of mind, it was then that I began to realise how much more care I was taking in each shot, if I wanted each one to count, I had to be more patient.

Back at the car, while enjoying a hot cup of tea, I took the opportunity to look at the images I had taken, it was almost like opening that package of developed photos for the first time, it was a pleasantly rewarding exercise that I will continue with on future shoots.

Finding the fifty

The first few weeks of 2020 have been reasonably productive ones so far, I have finally commenced the long overdue task of cataloguing my images and have begun the process of looking at downsizing my collection of vintage lenses and other camera gear.

I have come to the realization that I do not require five camera bags, three 35mm 2.8 lenses, four 50mm lenses from f1.4 to f2.8 respectively, as well as a 55mm and 58mm lenses, as well as three tripods and other related accessories.

It is one of the fifties that forms today’s musing, specifically the Super Takumar 50mm 1.4, a lens I had picked up in a charity shop for a good price, a lens that had become firm favourite with the bright 1.4 aperture, a lens that in all honesty I thought I had carelessly lost.

It was while I was going through one of my lesser used camera bags in this morning’s sort-athon that the elusive lens made its appearance.
If you have ever picked up an LP or CD that you have not heard for ages, it is like hearing it for the first time again, finding this favourite lens was just that same feeling, of course, I had to go out and use it didn’t I?


At wide open, this lens offers some pleasing bokeh, stopped down, it has adequate sharpness across the frame and at 50mm is a versatile focal length.

It was fun just to use this one focal length today, if I had a choice of only two focal ranges to shoot, I would go with 35mm and 50mm all day long.