Summer arrived this weekend, its suitcase packed with blue skies and temperatures in the mid to late twenties centigrade, the first prolonged period of decent weather for some time.
Not wishing to sound ungrateful but I will not be one of the many seeking sand, sea and surf, instead I will seek the shade of a woodland walk, while continuing with my series of vintage lens shoots.
Today’s lens of choice is a Helios 44-2 58mm lens, bought some years ago on an online auction site, these lenses are known for their swirly bokeh wide open at F2, with a decent sharpness throughout the focal range.
My introduction to the Helios lens was with my first film camera in the 1980’s, a Zenit TTL, at that time,it would be true to say that I did not appreciate what I had, equally, my relationship with photography had barely begun.
Today’s destination is Dane’s wood, owned by the National trust just a couple miles from the Killerton estate near the village of Broadclyst.
Normally, my woodland walks tend to be in the mid to late autumn months, capturing the changing colours of nature, today will be finding areas of interesting light, flora and fauna, looking for more abstract shots of the woodland.
It is a slow amble through the woods, enjoying the cool shade of the trees,while listening to the birdsong above as I look for my next subjects, of which there is plenty. More and more, I am enjoying the more deliberate process of manual focusing, for sure, auto focus has its many advantages but for me it is not critical in capturing the ‘moment’ in an instant as it would be a journalist, sports or wedding photographer.
A two hour mooch around the woods seems like just a few minutes, it never ceases to amaze me how fast the time passes by on my camera walks. Emerging from the woodland path to the car park, it appears that the world and his brother are looking for a parking space, it looks like a good few others have no wish to go the beach either.
As digital photography technology advances ever forward, camera companies are cramming more and more megapixels on to sensors, adding ever more features to make the photographic process more instantaneous. Modern camera lenses are now clinically sharp, even the humble ‘kit lens’ offered with a new camera is no longer the cheap and cheerful offering it once was.
With a long time passion for photography, I have embraced all the above with vigour but I feel that sometimes I am forgetting one of the reasons that I got into photography in the first instance, the whole process of manual focusing a lens, learning how to read the light and expose correctly (more often incorrectly in my early days). For all my mistakes, they were all part of the learning curve, just one of the many steps in my photographic journey.
Every now and again, I retrace these steps to an extent, by attaching an old manual lens to my mirrorless camera, I went through a stage of finding some cheap lenses through online auction sites, a few of which have become firm favourites and will not be parted with, others were not so good and found their way into charity shops.
Today was one of those days where I took out my Helios 44-2 58mm lens and an industar 50mm 3.5 – 4.5, both od Russian origin, both mass produced so incredibly plentiful and cheap.
The Helios wide open at F2 produces a swirly bokeh, ideal for shots in woodland where the background can be isolated from the subject, the Industar has a more muted colour palette which I like for street photography.
While a manual focusing lens may not be ideal for street photography, there is pleasure to be had in finding a spot and pre focusing, waiting for someone to walk into frame, with a small city such as Exeter, it is just a matter of time before someone obliges.
Maybe I need to spend more time with these legacy lenses, I felt more immersed in the process, rather than just being in charge of pressing a button!