Photography Friday

It’s the last Friday in November and I have a bonus day off from work, so decide to set my usual 4am work alarm to an hour later, with the intention of spending a few hours out with the camera.

No need for the alarm, I have become so accustomed to the early starts but the dark mornings never look that inviting.

As usual, I have my camera bag ready, leaving no excuses not to go anywhere, my intention is to head to the coast,so I will catch a train that departs just after seven fifteen.
I leave the house an hour before this, perhaps I can take advantage of the quiet streets of Exeter and take some low light shots.




The streets are empty but for the road sweepers and the few early commuters, I take full advantage of shop lights illuminating the streets and seize a quick opportunity to take a photo of a locked up bicycle lit by a mechanical road sweeper making its rounds, immediately thinking this would make a good black and white shot.

The previous evening’s weather forecast had overcast skies for most of Friday, as I wait for my train, patches of blue hour coloured sky are visible through the cloud, maybe I could even see a glimpse of sun.

Arriving at Teignmouth, there is a noticeable chill in the wind, the mornings have that feel of winter about them but no matter, the light of morning is looking rather good, time to get to the beach.

The strong winds are offering some good wave action, exposure times of less than ten seconds will be enough for me to capture the movement of the water, it promises to be a good morning,



With just a glimpse of sun peering from behind its cloudy curtain, the colours are a reminder of why I like to get out whenever possible to watch the day unfold.

With a dozen or so shots in the bag, it’s time to treat myself to a hot cup of tea and a breakfast baguette, luckily for me, a local cafe open for takeaway service is just a short walk away.
Fed and watered, I am ready to walk the short distance along the sea wall to Dawlish.


With schools and work now under a semblance of normality, there are few other souls around today, one of the reasons I enjoy getting out on a weekday.

As the morning progresses, the clouds begin to thicken and turn a dull grey, I feel fortunate to have captured the earlier light but see the changing light as a chance for some monochrome shots.

It has been a good mixture of a morning, a few miles walked and a good selection of shots , I decide to catch the next train from Dawlish and head for home, where I look forward to checking out my mornings efforts.

Sunday by the sea

Sunday morning, the only morning when I tend not to set an alarm, yet still I wake at around 4am, my futile attempts at a lie in are appeased by the thought of my first cuppa, while I lazily thumb through the weekend papers or read one of the three books I currently have on the go.

A quick look out of the window and of course it is still dark, the rain covered road and pavements reflecting the lights of the few cars that pass by at this early hour.

Regardless of the weather, I have planned to spend an hour or three by the sea, a little shutter therapy is a welcome Sunday pastime, so make sure my camera bag is ready and batteries charged.

The earlier rain has cleared, but the overcast skies still show some intent, a strong breeze offers plenty of wave movement with the high tide just about to turn.

Dawlish Warren offers so many photo opportunities on days like this, naturally I look to try a couple of long exposures to capture the drama in both clouds and sea.

Setting aside my tripod, I then decide to make my first attempt at the concept known as ICM photography.
ICM or intentional camera movement is where the camera is deliberately moved during exposure time, so an exposure of a second or more is recommended to get the desired effect, the effect essentially being the polar opposite of the sharpness and definition photographers strive for, a blurred ‘arty’ looking image, that implies an image rather than defining it.


I have an ND filter attached to my camera lens, at F5.6 I have an exposure time of just over a second, so begin my experiments in earnest, the first 5 attempts are not brilliant as I try different speeds with the camera movements.
On my 6th attempt, I have something that looks interesting if nothing else but it is a concept I will have more attempts at in the future.


Putting the filters away, my aim is just to stroll to the far end of the Warren and take the footpath around the nature reserve side of the beach, a long slow trudge through the soft sand that is the pathway.

Naturally there are several other people with the same idea of spending some time at the beach, a chance to to do some ‘street’ photography by the sea.


Over the coming days I will go through the days shoot, the shots posted here are my favourites from the day.

Photography from the dark side

With autumn stepping into Summer’s vacant shoes, I reluctantly bid a fond farewell to those long, light evenings, but welcome the opportunity to capture the colours and moods of one of my favourite seasons of the year.

With woodland and riverside walks high on the agenda, hopes will be high to capture that colourful carpet of fallen leaves before they fade to winter mulch, golden leaves on lichen cloaked rocks teasing us with a show of colour before the barren winter months to come.

It is also at this time of year that I try to embrace the inevitable darker evenings, by honing my favourite photographic genre, low light and night time photography.

Emerging from summer photography mode into the discipline of low light work, my skills area little ring rusty, it is time to re-hone the skills with a couple hours night shooting around Exeter.

With me, I have my Olympus EM5 MKII with a recent new addition, the 17mm F1.2 Pro lens, with the EM5’s image stabilization and the wide aperture, I want to see how this combo performs with hand held shots.

As usual, the Ricoh GR3 tags along, small enough to fit in a pocket, it is a great little camera to stand on some of the street furniture, that act as a substitute tripod.

No night time foray is complete without the obligatory traffic trail shots, I do my duty with the ricoh perched on top of a metal pavement bollard, a passing bus giving a nice abstract look to the scene.

The olympus with the 17mm perform admirably too, my first shoot with this lens, so experimenting aplenty here.

I have deliberately chosen a less busy Thursday night for tonight’s foray, tomorrow will see more looking to start the weekend, I am happy in an emptier city.





With a little of the ring rust shaken off, I have a couple of ideas for some night time photography projects in the coming months, after all, I may as well take full advantage of the longer hours of darkness.

A trip to Whiteworks

Saturday morning and I have a date with Dartmoor once again, doing my best to make up for my enforced lockdown absences.

Today’s destination is one of my favourites, Whiteworks, a disused tin mining area not far from Princetown.

Tin mining in the area dates as far back as 1790, mining here was at its most prolific here as the demand for tin for the industrial revolution increased, the ore was sent from here to the Calenick smelting house in Truro, as at this time, Devon had no smelting houses.

By 1880, the mining was ceased, only to be revived briefly again in the early 20th century as the value of ore increased but by 1914 mining was discontinued, the land then used for livestock farming and pony breeding.

It is the remnants of this history that brings me back here time and again, the fallen remains of the stone cottages, the fenced off areas showing where the mining shafts once were.

This place has character in spades, where buildings once were, trees now stand, what is left of the cottages brickwork is covered in a verdant cloak of lichen, adding more texture for the photographer’s eye.

Some of my favourite trees of Dartmoor are located here, one in particular torn asunder at its root, it’s branches a tangle of twigs, defiantly reaching for the skies, yet so near to the ground, today this beauty is emphasized by the moody skies blown along by an early autumn breeze.

I am here for pleasure but it is not hard to imagine the brutal nature of the work that once existed in this chapter of Dartmoor’s history.

This rugged beauty of Dartmoor will continue to draw me in like a magnet, it is always a pleasure to spend time here, exploring whatever it wishes to give.

Another early start

Saturday morning just before 4am, I am awake before my alarm, not a work day today though, I am hoping for the kind of skies that have tantalised me all week on my early morning walks to work.

It’s too early to think about breakfast but enjoy my first brew of the day, and head to St. David’s station to catch the 5am train to Starcross.
The station is pretty much deserted at this time of day, a railway ghost town, it appears I am the only customer as the rail staff prepare the trains for the for the first departures.

My journey will take only 15 minutes, I watch with interest as the skies are already showing some promise of colour, as the early clouds part like curtains to make way for the dawn.

Stepping off the train and onto the platform, I stop to enjoy views of the high tide, the water lies still, with reflections beginning to form as the day breaks, then the colours of dawn begin to paint the sky with hues of yellow and orange, this is what I had hoped for, I am glad I made the effort to get out of bed!


Five minutes after my arrival, the hues of yellow paint the dawn skies.

The silhouette of the railway bridge and platform fences make a lovely contrast against the coloured sky, time to find some more shots before the light show ends.

The peace and tranquility of the sunrise never ceases to be a source of joy, watching a new day unfold is a pleasure on its own, capturing them on camera is a privilege.

From Starcross, I head towards Turf Locks, where the path leaves the estuary side and follows the Exeter canal, a walk I have done many times in my twenty years of living in the area, a walk that I will never tire of.

All these images were taken using my recently acquired Ricoh GR III, a lightweight single focal length camera (28mm)
The Nisi filter kit specially designed for the Ricoh was used for the long exposure shots.

Minimal gear

It has taken a long time but I have finally decided to minimize my gear choices on days out, carrying a bag of lenses and other gear has become less appealing, shooting with what I have, has become more fun.

On today’s trip to Dawlish, I took my trusty 100f and a recently acquired Ricoh GRIII, a fixed 18mm (28 mm equivalent in full frame terms) camera that boasts amazing image quality in a small form factor.

The GRIII is a favourite with street photographers but is perfect in my quest for minimal gear on days out

The lack of built in viewfinder takes a little getting used to but this little beast is a joy to use.

I mentioned that I also took my 100f today, but I barely used it, for two reasons.
One reason being that I was keen to get used to the controls of the Ricoh, the second being that I had forgotten to replace the memory card I had used for my first few test shots with it yesterday evening.
The GRIII has 2gb of internal memory storage, around 40-50 images in RAW format, I know this because I used its full allocation, then had to pilfer the card from my 100f!
Looking through the menu, I was able to copy the internal memory images to the now installed SD card, my schoolboy error had been rectified.

Getting to Dawlish Warren just after 10am, the beach was already filling with those that wanted a day by the sea, I was happy to stay for just a couple hours to get some much wanted sea air and to get more accustomed to the GR.


It will take a while to customise the controls of the GR to my liking and the GR gives plenty of scope for doing so but if this first batch of images is anything to go by, then the GR will be my ideal minimal gear set up