Walks by the sea

Growing up in a small seaside town has ensured a love of the sea and coast have been indelibly etched into my DNA, so any opportunity to visit the many seaside towns throughout Devon will rarely be missed.

In the eighteen or so years that I lived in the beautiful town of Salcombe, I rarely walked the coast path, my enjoyment for coastal walking, indeed walking of any kind had not yet manifested itself, my time being spent fishing with my father, or enjoying the freedom a racing bike can give.

It was my regular cycle rides to the coastal village of Hope Cove, just a five or so mile distance from Salcombe, that made this charming postcard perfect place one of my favourite places to visit even to this day.

With my tendency to start my photo walks at an early hour, it often gives an added bonus of having a beach or town virtually to myself, for at least a couple of hours, a chance to photograph a pristine beach maybe, or to just enjoy the solitude for a few moments.



A lot of my enjoyment with photography, is the way that looking back at images will evoke a memory of that day for me in a personal sense, another is that with the ability to share images to social media, my photographic adventures can be shared with old friends and new, far and wide.

For the love of clouds

Photographers are an inherently fussy breed, in pursuit of the ‘perfect’ light we abhor those insipid grey washed characterless skies and take exception to those cloudless azure blue skies with equal measure.

To capture the mood of a rainy day requires adequately weather proof camera bodies and lenses, lacking both or either requisite we will keep our gear safe from the elements but moan that we cannot get outside.

For some the midday sun is to bright while an overcast night sky for an astro photographer is about as welcome as a bill from the tax man!

The nature of our hobby is such that not all conditions will suit everyone but my own addiction to shutter therapy means I will try to get out at any opportunity.

Of course, shooting a landscape in the harsh sunlight of mid day is not ideal, but take those same conditions to a busy city, where contrasting light and shadow may be found, it is only a matter of time before people will walk into these areas of light and some interesting shots can unfold.
The same may be said of those rainy days, reflections from the wet ground offer some good monochrome shots.

For most of us, the ideal conditions are those days with cloud leaden skies, where the sun escapes through the occasional gap to fall upon buildings or the ground below.

For me, this recipe is best served around the coast at low tide, the mud flats or shallow tidal channels reflecting the light and cloud.
I was fortunate enough just recently to have the weather gods on my side just a few days ago, the gallery below are a pick of the many and varied shots I took that day, inspiring the title ‘for the love of clouds’

Photography Friday

It’s the last Friday in November and I have a bonus day off from work, so decide to set my usual 4am work alarm to an hour later, with the intention of spending a few hours out with the camera.

No need for the alarm, I have become so accustomed to the early starts but the dark mornings never look that inviting.

As usual, I have my camera bag ready, leaving no excuses not to go anywhere, my intention is to head to the coast,so I will catch a train that departs just after seven fifteen.
I leave the house an hour before this, perhaps I can take advantage of the quiet streets of Exeter and take some low light shots.




The streets are empty but for the road sweepers and the few early commuters, I take full advantage of shop lights illuminating the streets and seize a quick opportunity to take a photo of a locked up bicycle lit by a mechanical road sweeper making its rounds, immediately thinking this would make a good black and white shot.

The previous evening’s weather forecast had overcast skies for most of Friday, as I wait for my train, patches of blue hour coloured sky are visible through the cloud, maybe I could even see a glimpse of sun.

Arriving at Teignmouth, there is a noticeable chill in the wind, the mornings have that feel of winter about them but no matter, the light of morning is looking rather good, time to get to the beach.

The strong winds are offering some good wave action, exposure times of less than ten seconds will be enough for me to capture the movement of the water, it promises to be a good morning,



With just a glimpse of sun peering from behind its cloudy curtain, the colours are a reminder of why I like to get out whenever possible to watch the day unfold.

With a dozen or so shots in the bag, it’s time to treat myself to a hot cup of tea and a breakfast baguette, luckily for me, a local cafe open for takeaway service is just a short walk away.
Fed and watered, I am ready to walk the short distance along the sea wall to Dawlish.


With schools and work now under a semblance of normality, there are few other souls around today, one of the reasons I enjoy getting out on a weekday.

As the morning progresses, the clouds begin to thicken and turn a dull grey, I feel fortunate to have captured the earlier light but see the changing light as a chance for some monochrome shots.

It has been a good mixture of a morning, a few miles walked and a good selection of shots , I decide to catch the next train from Dawlish and head for home, where I look forward to checking out my mornings efforts.

Sunday by the sea

Sunday morning, the only morning when I tend not to set an alarm, yet still I wake at around 4am, my futile attempts at a lie in are appeased by the thought of my first cuppa, while I lazily thumb through the weekend papers or read one of the three books I currently have on the go.

A quick look out of the window and of course it is still dark, the rain covered road and pavements reflecting the lights of the few cars that pass by at this early hour.

Regardless of the weather, I have planned to spend an hour or three by the sea, a little shutter therapy is a welcome Sunday pastime, so make sure my camera bag is ready and batteries charged.

The earlier rain has cleared, but the overcast skies still show some intent, a strong breeze offers plenty of wave movement with the high tide just about to turn.

Dawlish Warren offers so many photo opportunities on days like this, naturally I look to try a couple of long exposures to capture the drama in both clouds and sea.

Setting aside my tripod, I then decide to make my first attempt at the concept known as ICM photography.
ICM or intentional camera movement is where the camera is deliberately moved during exposure time, so an exposure of a second or more is recommended to get the desired effect, the effect essentially being the polar opposite of the sharpness and definition photographers strive for, a blurred ‘arty’ looking image, that implies an image rather than defining it.


I have an ND filter attached to my camera lens, at F5.6 I have an exposure time of just over a second, so begin my experiments in earnest, the first 5 attempts are not brilliant as I try different speeds with the camera movements.
On my 6th attempt, I have something that looks interesting if nothing else but it is a concept I will have more attempts at in the future.


Putting the filters away, my aim is just to stroll to the far end of the Warren and take the footpath around the nature reserve side of the beach, a long slow trudge through the soft sand that is the pathway.

Naturally there are several other people with the same idea of spending some time at the beach, a chance to to do some ‘street’ photography by the sea.


Over the coming days I will go through the days shoot, the shots posted here are my favourites from the day.

Shooting monochrome

In the last eighteen months, I have occasionally set myself small challenges while out on my photo walks, I find that setting a theme or challenge helps me become more creative in my shot making when shooting for my own pleasure.

I am becoming more accustomed to my more compact camera setup, I have been taking full advantage of the G9’s twin card slots, shooting Raw only on one card, JPEG on the other, just to see how the different in camera picture styles are rendered.

One particular style I am using more often than not, is the LmonochromeD setting, which produces some good quality Black and white images, that require little or no post processing.

My G9 is coupled with my Ricoh GR3, which also has some very good monochrome simulations, my favourite being the high contrast black and white.
The ricoh also has the added advantage of shooting 1:1 aspect ratio in RAW, shooting ‘squares’ is something I like to do on a regular basis.

Last week’s photo outing to Sidmouth and Budleigh Salterton saw plenty of changeable weather, bright and sunny one minute, then some rather nice moody clouds scuttling along in the wind, perfect for some black and white shots.


More and more these days, I am enjoying spending less time editing, which in theory, means I could spend more time out with the camera …..

Sunrise with the GRIII

It’s another early Saturday morning, I am on my way to greet the morning sunrise at Teignmouth, a little further down the coast from last weeks jaunt.

Once again, I have come armed with the GRIII, this little powerhouse of a camera is such a joy to use, the image quality is just superb from its fixed 28mm equivalent lens.

The GRIII is a favourite amongst street photographers, its compact size and silent shutter are perfect for the genre, however, it it is pretty darned good at landscapes as well!

Another recent addition to my photographic arsenal since getting the GRIII is the Nisi filter kit, a specially developed mini filter kit for the GR, consisting of the following :

  1. Adaptor Ricoh GR3
  2. 3 Stop Medium GND (0.9)
  3. 3 Stop Soft GND (0.9)
  4. ND8 (0.9) 3 Stop
  5. ND64 (1.8) 6 Stop

Nisi filter kit




Mini Tripod – ideal for travelling as light as I can

With my filter kit and mini tripod, I am able to travel with minimal weight, while being able to shoot long exposure scenes when I require, a set up I am enjoying more and more.




I have been asked if I miss not having a viewfinder, in honesty, it takes a little getting used to but it is the perfect way to compose long exposure compositions.

My walk takes me into Dawlish, where I decide to grab a cup of tea and a bite to eat, with the day already warming up and the local beaches filling with holiday makers, I decide to catch the next train back to Exeter, I have got what I came for, so I am happy to move on.

Just half an hour later, I am back in Exeter, Saturday shoppers are out in force, a chance for some post lockdown street photography.

Again, the GR excels, the compact nature of the camera does not concern those I pass, using the 2m snap focus to full effect.

As I have become more accustomed to the GRIII, I have slowly customised it more to my liking, it is possible to save various custom settings into 3 user settings accessible on the mode dial, one of which I have saved as ‘street’ settings, the second, I have a 1:1 square aspect ratio, shooting Jpegs, I really like the built in mono and the positive film preset , the third I have yet to decide upon.

While my current set up is working well for me, I would be interested to see other people’s favourite set ups, to see how others like to shoot on days out.

Another early start

Saturday morning just before 4am, I am awake before my alarm, not a work day today though, I am hoping for the kind of skies that have tantalised me all week on my early morning walks to work.

It’s too early to think about breakfast but enjoy my first brew of the day, and head to St. David’s station to catch the 5am train to Starcross.
The station is pretty much deserted at this time of day, a railway ghost town, it appears I am the only customer as the rail staff prepare the trains for the for the first departures.

My journey will take only 15 minutes, I watch with interest as the skies are already showing some promise of colour, as the early clouds part like curtains to make way for the dawn.

Stepping off the train and onto the platform, I stop to enjoy views of the high tide, the water lies still, with reflections beginning to form as the day breaks, then the colours of dawn begin to paint the sky with hues of yellow and orange, this is what I had hoped for, I am glad I made the effort to get out of bed!


Five minutes after my arrival, the hues of yellow paint the dawn skies.

The silhouette of the railway bridge and platform fences make a lovely contrast against the coloured sky, time to find some more shots before the light show ends.

The peace and tranquility of the sunrise never ceases to be a source of joy, watching a new day unfold is a pleasure on its own, capturing them on camera is a privilege.

From Starcross, I head towards Turf Locks, where the path leaves the estuary side and follows the Exeter canal, a walk I have done many times in my twenty years of living in the area, a walk that I will never tire of.

All these images were taken using my recently acquired Ricoh GR III, a lightweight single focal length camera (28mm)
The Nisi filter kit specially designed for the Ricoh was used for the long exposure shots.

Minimal gear

It has taken a long time but I have finally decided to minimize my gear choices on days out, carrying a bag of lenses and other gear has become less appealing, shooting with what I have, has become more fun.

On today’s trip to Dawlish, I took my trusty 100f and a recently acquired Ricoh GRIII, a fixed 18mm (28 mm equivalent in full frame terms) camera that boasts amazing image quality in a small form factor.

The GRIII is a favourite with street photographers but is perfect in my quest for minimal gear on days out

The lack of built in viewfinder takes a little getting used to but this little beast is a joy to use.

I mentioned that I also took my 100f today, but I barely used it, for two reasons.
One reason being that I was keen to get used to the controls of the Ricoh, the second being that I had forgotten to replace the memory card I had used for my first few test shots with it yesterday evening.
The GRIII has 2gb of internal memory storage, around 40-50 images in RAW format, I know this because I used its full allocation, then had to pilfer the card from my 100f!
Looking through the menu, I was able to copy the internal memory images to the now installed SD card, my schoolboy error had been rectified.

Getting to Dawlish Warren just after 10am, the beach was already filling with those that wanted a day by the sea, I was happy to stay for just a couple hours to get some much wanted sea air and to get more accustomed to the GR.


It will take a while to customise the controls of the GR to my liking and the GR gives plenty of scope for doing so but if this first batch of images is anything to go by, then the GR will be my ideal minimal gear set up

Seaside ambles

My first seaside walk since early March saw me going back to my home town of Salcombe last weekend, my main agenda was to visit my dad for father’s day, the second to enjoy a low tide walk along the shore of a favourite haunt from my childhood.

With the tide at its lowest ebb, there is an opportunity to walk along the best part of the beach, taking in views of the town of Salcombe from a different perspective, it is here that many of my favourite views can be seen.

From an early age, I have enjoyed these walks along the shore, especially after winter storms, where all sorts of maritime debris would be washed up along the shore, all treasures to a youngsters mind.

To this day, I unashamedly love peering into rock pools, and still like to look under seaweed for any small crabs that may be lurking beneath, evoking memories of looking for peeler crabs for fishing bait in spring and early summer.

It is true to say that absence makes the heart grow fonder, my absence was just 3 months, yet I felt a new appreciation for something that can be so easily taken for granted.

The second part of today’s jaunt, was a revisit to Slapton sands, another of my favourite beaches, with it’s lagoon or ‘ley’ to one side and the open sea on the other, the two are sandwiched by probably the longest length of straight road in Devon, a road that over the years has been washed away more than once by savage winter storms.

As popular as ever, the beach was busy, but not crowded to the extent of those recently depicted in the mainstream media, the visitors here were observing social distancing and there was a happy buzz as complete strangers were making new friends while waiting for their takeaway food or drinks from the pub and cafes, attempting some semblance of normality in these odd times.

It was here I have taken my favourite shot of the year so far, a gentleman with his two dogs, sat on the sea wall, he kindly agreed for me to take his photo, which if I am being honest, was not expecting.

I do not consider myself as a portrait photographer but I love the candid nature of this shot, even though it was posed.



As usual, a rather enjoyable trip to the seaside, as usual, time passes too quickly but looking forward to my next trip here already.

New technology, old methods

As technology in digital cameras becomes ever more advanced, the inquisitive part of me looks forward to reading about the latest features in new cameras, yet my inner luddite  feels that the technological roundabout is going too fast and I want to get off.

Since acquiring my first digital camera, I fully appreciated the way that settings could be changed on the fly, I embraced the way that I could experiment with composition more, as I was no longer restricted to a maximum of 12, 24 or 36 exposures per roll of film, I could also see my image in an instant, rather than having to wait for my last roll  to come from the developers via the post.

Modern cameras all have state of the art video capabilities, they allow us to see how our images will look within the viewfinder, perfect for the fast paced society we live in today, where we want everything yesterday, each new camera boasts faster autofocus but it is too easy to become reliant on the tech and forget the art of photography.

My enjoyment of ‘old school’ photography has perhaps been rekindled by the ability to use manual focus vintage lenses on mirrorless cameras, a reminder of when most SLR cameras only came with a 50mm lens and we were perfectly happy.

It was with this ‘old school’ mindset that I decided to set myself a challenge on yesterday’s outing to Budleigh Salterton and Sidmouth.
Since my X100f has both an electronic and optical viewfinder, I set the camera to OVF only and switched the rear LCD screen option to viewfinder only, relying only upon the camera’s meter reading for exposure ( a bit like the original X100).

For the first few shots, I had to resist the urge to look at the rear screen but soon got into a ‘wait and see it later’ frame of mind, it was then that I began to realise how much more care I was taking in each shot, if I wanted each one to count, I had to be more patient.

Back at the car, while enjoying a hot cup of tea, I took the opportunity to look at the images I had taken, it was almost like opening that package of developed photos for the first time, it was a pleasantly rewarding exercise that I will continue with on future shoots.