Watching the waves

With Christmas day now over, we approach that feeling of limbo leading up to the new year, where our ability to remember what day of the week it is, gets somewhat blunted by the pleasures of over indulgence and that thought of not being back at work for a few more days.

With the weather not being that favourable for any long walks out with the camera, I was keen to walk off some of those festive excesses, as I make my way back home after a few treasured days spent with family.

The constant rain of Christmas and boxing day have abated for a few hours, however the blustery winds remain, perfect for some seaside photography and watching the awesome power of the waves as they batter the sea defences at Hope Cove.

The sky above is a dark battleship grey, full of rain filled intent, the roar of the sea as it pummels the sea wall, is as loud as I have ever heard, it’s time to capture some images.

The wind is far too strong for any tripod work, it is all I can do to keep the camera still on occasions, as the gale force winds are that strong.
Crouched low, with my shoulder against a firmly closed kiosk, I adopt a contorted position that allows me to keep steady as I shoot the scene in front of me.

There are screams of cold sea spray surprise from those people who thought they were at a far enough distance from the huge waves that breach the height of the sea wall, the waves reach, increased by the wind.

With my camera in burst mode, it is a case of take the shot, then wipe the lens as the rain and spray look to soak all in its way, each wave just seems to get bigger with every gust.

It is rare that I root myself to one spot on a photography outing but such are the power and beauty of the conditions I have no reason to explore further, hopefully the images below will support that thought.

Coastal walk contentment

As mid December approaches, the countdown to the yuletide festivities is in full swing, Christmas markets, shopping for gifts and winter wonderlands will occupy the minds and time of many over the next couple more weekends, while I endeavor to make my purchases during the quieter part of the week after work, leaving my weekends free to continue my regular amblings on the moor, or by the sea.

At just after nine AM, I am heading away from Teignmouth railway station and heading for the beach, where remnants of the darker hours linger in the sky above, moody clouds with just a hint of the morning sun’s attempts to paint a little colour on the horizon.

It is a given that I will take a few shots of the pier, a few from either side of the structure as I capture the moodiness of the moment, for once, I do not even consider the normally mandatory long exposure shot, as I see other opportunities a little further away.

A lone fishing boat works a little out to sea, chaperoned by the opportunist herring gull population, looking for a free breakfast, a rare decision to bring a zoom lens, enables me to get a little closer than my normal 35mm focal length.

The changing skies add a little more mood to the scene, affording me several varied looking images.

One of my favourite shots of today is a father and his young daughter walking along the water’s edge, hand in hand, as they explore the shoreline for sea shells and other coastal treasures.

My own love of our coastline began at a similar age, exploring the shoreline at low tide while my dad would be working on his boat, I may have ‘helped’ for a while before the greater need to look for crabs under the carpets of sea weed took hold, or to find the biggest intact whelk shell amongst the shingle.

It was perhaps these sea shore foraging’s that unknowingly taught me the art of ‘seeing’ that would become such an essential part of my photography as I look to find that more unusual shot from the norm.

As I make my way back to the station, ideas for this blog are already forming in my mind, as I wait for my train, I type a few notes on my phone, a reminder of my thoughts at the moment I took a shot, or perhaps an observation I would like to share.

Often, a title eludes me, today it is easy, coastal contentment is what I felt as I meandered my way along the beach today… and so another blog is born.





One frame – The sea front



With summer all but a distant memory, my trips to local seaside towns become more frequent, especially when the first of the autumn winds begin to make their presence known.

A trip to the East Devon seaside town of Sidmouth did not disappoint on Friday, blustery winds and showers being on the meteorological menu.

I had initially thought that my ‘one frame’ blog from this trip would have been one of the photos I took of waves crashing dramatically over the sea wall, edited with a contrasty black and white vibe but there was just something about this scene that appealed more and was perhaps less of a photographic cliché.

In a world that is forever in a hurry, these coastal towns have a way of slowing down the madding crowd, where we actually make the time to watch the waves crash and recede over the beach below.



Low tide at Exmouth




For last week’s three day weekend, I was fortunate enough to spend two of them out and about with the camera, with Dartmoor on Friday and a local trip to Exmouth on Sunday.

My expeditions to Dartmoor may be a more recent bookmark in my photography timeline but my love of the coast and seaside towns is etched into my DNA, growing up as I did in a small seaside town in South Devon.

Of course, in my formative years, I did not have a camera but my innate curiosity always drew me to the well weathered maritime paraphernalia of the fishing quays and the treasure trove of flotsam that would wash up on the beaches after a storm, the very things that I look to capture with my camera.

With the summer holidays now a fading memory, the local beaches will be a little quieter until half term, I have never been a ‘crowds’ person so I am happy to wait my turn to visit on my camera days out.

I have decided to travel light, it’s the x100v and the Ricoh Gr3 that have their place in my bag, however, it is the ‘V’ that will get most use today, as I have been experimenting with more ‘home brew’ recipes using the various film simulations built into Fuji cameras.

I have really enjoyed experimenting with these simulations, by doing so, I have learned the attributes of each and have started getting some pleasing JPEG’s out of camera, using Astia for my woodland walks with a warmer white balance to add vibrancy, while Classic chrome with a more muted colour setting is ideal for those moody days on the moor.

While I shoot today, I will be fine tuning a recipe based on the classic neg simulation that so many Fuji shooters love, another more muted based on the videocentric Eterna.

As the day seems to alternate between sunshine and overcast conditions, it will be a good test of how both act in different light, with an aim to using as many of the Jpeg images as possible for my final image.




Over the last few months I have been shooting this way more and more, simply because I love the colours that come from the Fuji camera and I am spending less time trying to replicate them via a computer screen and a plethora of sliders.

For the record, each of the gallery shots were from the Jpeg, with nothing more than a crop or a tweak in exposure settings.

Walks by the sea

Growing up in a small seaside town has ensured a love of the sea and coast have been indelibly etched into my DNA, so any opportunity to visit the many seaside towns throughout Devon will rarely be missed.

In the eighteen or so years that I lived in the beautiful town of Salcombe, I rarely walked the coast path, my enjoyment for coastal walking, indeed walking of any kind had not yet manifested itself, my time being spent fishing with my father, or enjoying the freedom a racing bike can give.

It was my regular cycle rides to the coastal village of Hope Cove, just a five or so mile distance from Salcombe, that made this charming postcard perfect place one of my favourite places to visit even to this day.

With my tendency to start my photo walks at an early hour, it often gives an added bonus of having a beach or town virtually to myself, for at least a couple of hours, a chance to photograph a pristine beach maybe, or to just enjoy the solitude for a few moments.



A lot of my enjoyment with photography, is the way that looking back at images will evoke a memory of that day for me in a personal sense, another is that with the ability to share images to social media, my photographic adventures can be shared with old friends and new, far and wide.

For the love of clouds

Photographers are an inherently fussy breed, in pursuit of the ‘perfect’ light we abhor those insipid grey washed characterless skies and take exception to those cloudless azure blue skies with equal measure.

To capture the mood of a rainy day requires adequately weather proof camera bodies and lenses, lacking both or either requisite we will keep our gear safe from the elements but moan that we cannot get outside.

For some the midday sun is to bright while an overcast night sky for an astro photographer is about as welcome as a bill from the tax man!

The nature of our hobby is such that not all conditions will suit everyone but my own addiction to shutter therapy means I will try to get out at any opportunity.

Of course, shooting a landscape in the harsh sunlight of mid day is not ideal, but take those same conditions to a busy city, where contrasting light and shadow may be found, it is only a matter of time before people will walk into these areas of light and some interesting shots can unfold.
The same may be said of those rainy days, reflections from the wet ground offer some good monochrome shots.

For most of us, the ideal conditions are those days with cloud leaden skies, where the sun escapes through the occasional gap to fall upon buildings or the ground below.

For me, this recipe is best served around the coast at low tide, the mud flats or shallow tidal channels reflecting the light and cloud.
I was fortunate enough just recently to have the weather gods on my side just a few days ago, the gallery below are a pick of the many and varied shots I took that day, inspiring the title ‘for the love of clouds’

Photography Friday

It’s the last Friday in November and I have a bonus day off from work, so decide to set my usual 4am work alarm to an hour later, with the intention of spending a few hours out with the camera.

No need for the alarm, I have become so accustomed to the early starts but the dark mornings never look that inviting.

As usual, I have my camera bag ready, leaving no excuses not to go anywhere, my intention is to head to the coast,so I will catch a train that departs just after seven fifteen.
I leave the house an hour before this, perhaps I can take advantage of the quiet streets of Exeter and take some low light shots.




The streets are empty but for the road sweepers and the few early commuters, I take full advantage of shop lights illuminating the streets and seize a quick opportunity to take a photo of a locked up bicycle lit by a mechanical road sweeper making its rounds, immediately thinking this would make a good black and white shot.

The previous evening’s weather forecast had overcast skies for most of Friday, as I wait for my train, patches of blue hour coloured sky are visible through the cloud, maybe I could even see a glimpse of sun.

Arriving at Teignmouth, there is a noticeable chill in the wind, the mornings have that feel of winter about them but no matter, the light of morning is looking rather good, time to get to the beach.

The strong winds are offering some good wave action, exposure times of less than ten seconds will be enough for me to capture the movement of the water, it promises to be a good morning,



With just a glimpse of sun peering from behind its cloudy curtain, the colours are a reminder of why I like to get out whenever possible to watch the day unfold.

With a dozen or so shots in the bag, it’s time to treat myself to a hot cup of tea and a breakfast baguette, luckily for me, a local cafe open for takeaway service is just a short walk away.
Fed and watered, I am ready to walk the short distance along the sea wall to Dawlish.


With schools and work now under a semblance of normality, there are few other souls around today, one of the reasons I enjoy getting out on a weekday.

As the morning progresses, the clouds begin to thicken and turn a dull grey, I feel fortunate to have captured the earlier light but see the changing light as a chance for some monochrome shots.

It has been a good mixture of a morning, a few miles walked and a good selection of shots , I decide to catch the next train from Dawlish and head for home, where I look forward to checking out my mornings efforts.

Sunday by the sea

Sunday morning, the only morning when I tend not to set an alarm, yet still I wake at around 4am, my futile attempts at a lie in are appeased by the thought of my first cuppa, while I lazily thumb through the weekend papers or read one of the three books I currently have on the go.

A quick look out of the window and of course it is still dark, the rain covered road and pavements reflecting the lights of the few cars that pass by at this early hour.

Regardless of the weather, I have planned to spend an hour or three by the sea, a little shutter therapy is a welcome Sunday pastime, so make sure my camera bag is ready and batteries charged.

The earlier rain has cleared, but the overcast skies still show some intent, a strong breeze offers plenty of wave movement with the high tide just about to turn.

Dawlish Warren offers so many photo opportunities on days like this, naturally I look to try a couple of long exposures to capture the drama in both clouds and sea.

Setting aside my tripod, I then decide to make my first attempt at the concept known as ICM photography.
ICM or intentional camera movement is where the camera is deliberately moved during exposure time, so an exposure of a second or more is recommended to get the desired effect, the effect essentially being the polar opposite of the sharpness and definition photographers strive for, a blurred ‘arty’ looking image, that implies an image rather than defining it.


I have an ND filter attached to my camera lens, at F5.6 I have an exposure time of just over a second, so begin my experiments in earnest, the first 5 attempts are not brilliant as I try different speeds with the camera movements.
On my 6th attempt, I have something that looks interesting if nothing else but it is a concept I will have more attempts at in the future.


Putting the filters away, my aim is just to stroll to the far end of the Warren and take the footpath around the nature reserve side of the beach, a long slow trudge through the soft sand that is the pathway.

Naturally there are several other people with the same idea of spending some time at the beach, a chance to to do some ‘street’ photography by the sea.


Over the coming days I will go through the days shoot, the shots posted here are my favourites from the day.

Shooting monochrome

In the last eighteen months, I have occasionally set myself small challenges while out on my photo walks, I find that setting a theme or challenge helps me become more creative in my shot making when shooting for my own pleasure.

I am becoming more accustomed to my more compact camera setup, I have been taking full advantage of the G9’s twin card slots, shooting Raw only on one card, JPEG on the other, just to see how the different in camera picture styles are rendered.

One particular style I am using more often than not, is the LmonochromeD setting, which produces some good quality Black and white images, that require little or no post processing.

My G9 is coupled with my Ricoh GR3, which also has some very good monochrome simulations, my favourite being the high contrast black and white.
The ricoh also has the added advantage of shooting 1:1 aspect ratio in RAW, shooting ‘squares’ is something I like to do on a regular basis.

Last week’s photo outing to Sidmouth and Budleigh Salterton saw plenty of changeable weather, bright and sunny one minute, then some rather nice moody clouds scuttling along in the wind, perfect for some black and white shots.


More and more these days, I am enjoying spending less time editing, which in theory, means I could spend more time out with the camera …..

Sunrise with the GRIII

It’s another early Saturday morning, I am on my way to greet the morning sunrise at Teignmouth, a little further down the coast from last weeks jaunt.

Once again, I have come armed with the GRIII, this little powerhouse of a camera is such a joy to use, the image quality is just superb from its fixed 28mm equivalent lens.

The GRIII is a favourite amongst street photographers, its compact size and silent shutter are perfect for the genre, however, it it is pretty darned good at landscapes as well!

Another recent addition to my photographic arsenal since getting the GRIII is the Nisi filter kit, a specially developed mini filter kit for the GR, consisting of the following :

  1. Adaptor Ricoh GR3
  2. 3 Stop Medium GND (0.9)
  3. 3 Stop Soft GND (0.9)
  4. ND8 (0.9) 3 Stop
  5. ND64 (1.8) 6 Stop

Nisi filter kit




Mini Tripod – ideal for travelling as light as I can

With my filter kit and mini tripod, I am able to travel with minimal weight, while being able to shoot long exposure scenes when I require, a set up I am enjoying more and more.




I have been asked if I miss not having a viewfinder, in honesty, it takes a little getting used to but it is the perfect way to compose long exposure compositions.

My walk takes me into Dawlish, where I decide to grab a cup of tea and a bite to eat, with the day already warming up and the local beaches filling with holiday makers, I decide to catch the next train back to Exeter, I have got what I came for, so I am happy to move on.

Just half an hour later, I am back in Exeter, Saturday shoppers are out in force, a chance for some post lockdown street photography.

Again, the GR excels, the compact nature of the camera does not concern those I pass, using the 2m snap focus to full effect.

As I have become more accustomed to the GRIII, I have slowly customised it more to my liking, it is possible to save various custom settings into 3 user settings accessible on the mode dial, one of which I have saved as ‘street’ settings, the second, I have a 1:1 square aspect ratio, shooting Jpegs, I really like the built in mono and the positive film preset , the third I have yet to decide upon.

While my current set up is working well for me, I would be interested to see other people’s favourite set ups, to see how others like to shoot on days out.